Sunday, 3 July 2016

GRIT KEPT THE REVOLUTION ALIVE



A few weeks ago a friend sent me a link to a TED Talk given by Angela Lee Duckworth: The key to success? Grit. When Angela moved from management consulting  to a much more demanding job, teaching maths to seventh graders, she realised that contrary to common belief, the students with the highest IQ were not the most likely to succeed, but the ones who had real grit. 
What is grit? According to Angela, “ Grit is passion and perseverance for very long-term goals. Grit is having stamina. Grit is sticking with your future, day in, day out, not just for the week, not just for the month, but for years, and working really hard to make that future a reality. Grit is living life like it's a marathon, not a sprint.”

Angela would have loved this tale, the story of a 231-year-old promise fulfilled by the US Congress thanks to the unbreakable perseverance of a single woman: Teresa Valcarcel, known in Washington as The Portrait Lady.  I won’t give you all the details because there is an engaging article published in The Washington Post that describes the whole quest. I’ll just sat that Teresa moved from Malaga to Washington because of love. She started a family over there and made the US her new home. One day, her mother sent her a newspaper clipping about an American Revolution hero, Bernardo de Galvez, who had been born in Macharaviaya, a small village in the middle of the mountains in Malaga, in Southern Spain. A letter had been found saying that the American Congress had promised to hang Galvez’s portrait in The Capitol. Teresa, a secretary at the teachers’ trade union, naïvely thought that, as she worked just down the road, she could just go there and remind them that there was a picture to hang. This proved to be much more complicated than she expected. Teresa was no diplomat, scholar or politician, but she would not take a no as an answer. She wooed and cajoled lawyers, historians, congressmen, senators; she made the Daughters of the American Revolution her allies. And when she discovered that the portrait that was supposed to be hanging in one of the Congress rooms was nowhere to be found, she managed to get a new one painted.

Bernardo de Gálvez 1781

A couple of days ago, my friend Jose added more information to the story. He had seen a documentary about Bernardo de Galvez and learned that since 2009 the village of Macharaviaya celebrates de 4th of July with a re-enactment of the Battle of Pensacola, in which the British troops were defeated by Galvez’s grenadiers. This is the only village in Europe that commemorates the American Independence. Jose told me that the celebrations take place on the Saturday previous to Independence Day.
I immediately decided to go and have a look. I easily convinced Lorenzo, my daughter Carla (who likes anything American) and my two brothers and their children to join me. The promise of an all-American Independence Day bash with battle, barbecue and fireworks in the middle of Malaga’s mountains sounded really promising.

New Orleans Street in Macharaviaya-Southern Spain


I really did not know what to expect, and the first thing that surprised me was the sheer beauty of Macharaviaya, a village of white little houses and corners to discover. I found it exquisitely looked after but not touristy, something that pleased me immensely. We were early and the people greeted us with enthusiasm. We found a member of the British resistance lending his gun to a young couple of visitors and taking a picture. Fortunately, word has not spread too much and the event has not turned into a tourist theme park yet.




The battle re-enactment was announce for 21.30 and we were well in advance, so we had time to chat with the actors, the volunteers and the people in the village. I sat at the mini grandstand that had been built at the church square while Lorenzo started making pictures, moving around the actors during the battle rehearsal. I had time to kill, so I sent some pictures to my friend Julia in San Francisco. She was amazed at discovering that there was a bit of American history hidden in the heart of the province of Malaga.
We soon learned that the performers were members of the Galvez’s Grenadiers and Dames Association (Asociación de Granaderos y Damas de Gálvez), joined this year by the pupils of a primary school of one of the villages nearby, who have been involved in a year-long project focused on Bernardo de Galvez.  

Lorenzo took some pictures of the actor who was going to play the role of Bernardo de Galvez, a direct descendant whose resemblance to the eighteenth-century revolutionary was just stunning.

Bernardo de Galvez 2016

General Campbell get ready to defend Fort George
Night fell and the Spanish and  British troops arrived at the square after parading around the village. It was quite a sight, children and adults marching in their costumes, like a disciplined army.



The actors were not professionals, but they had put a lot of effort in the preparation of their roles. The costumes, especially the ladies’ and the girls’ had been exquisitely made. 



And when they finally reached the battle scene, the actors’ enthusiasm was enhanced by the clever use of lighting and smoke.


After the show I joined my brothers, who had found a bar at the back of the church square and were enjoying the night breeze sitting at the terrace. We watched the fireworks while having a hamburger. 

One of my brothers’ friends, with an exhausted child sleeping in his arms told me that he had heard one of the Spanish soldiers telling one of the American representative, who was carrying the US flag in the parade: “Next year you must come one week in advance… But this time you must stay in my house.”

This is the true spirit, isn’t it?

Macharaviaya by night




Sunday, 6 March 2016

"ARTE EN MOVIMIENTO" UN SUEÑO REALIZADO


Como muchos amigos en España nos habéis preguntado cómo nos fue con la exposición Arte en movimiento en Londres, aquí tenéis un pequeño resumen.



Tras algunas vicisitudes como el temporal en el Cantábrico, que retuvo las obras en el puerto de Santander durante cinco días, todo estuvo preparado para la inauguración el 16 de febrero.
Organizando la exposición
Últimos toques mientras me entrevistaban para la Agencia EFE

De los artistas retratados en este proyecto hemos aprendido que la difusión es tan importante como la creación. Gracias a los perfiles de algunos de los artistas participantes publicados en Brit Es Magazine, la información sobre la exposición publicada El Ibérico y la entrevista en cuatro partes que me hizo José Manuel Cruz en su blog, se creo mucha expectación. 

También contribuyeron la Oficina de Asuntos Culturales y Científicos de la EmbajadaEspañola en Londres y listings como London Photography Diary, Xtrart o Galleries, donde Arte en movimiento se anunciaba junto a  la exposición de Frank Auerbach en la Tate Britain o la del maestro Richard Avedon, una de mis fuentes de inspiració, en la Gagosian Gallery. Esto fue un sueño hecho realidad que comenzó en los 80, cuando hice mis primeras fotos en Londres.



Galleries
London Photography Diary


El día de la inauguración o private view se reunieron alrededor de 300 personas y tanto la exposición como el libro tuvieron una gran aceptación. Acostumbrado a que a la mayoría de las personas que retrato se sientan incómodos al verse como yo los he captado, fue una agradable sorpresa ver que todos los artistas estaban contentos con el resultado. No sé si eso será bueno o malo para mi reputación...




Uno de los mejores momentos fue cuando dos de los artistas de Arte en movimiento, la guitarrista María Camahort y la violinista Lucía Veintimilla  nos deleitaron con unas maravillosas piezas de música española. 


Las fotos de la inauguración han sido realizadas por Jamie Smith.



En el pub después de la inauguración. 

Fue un placer el volver a reunirme con la mayoría de ellos, aunque dadas las circunstancias, tuve poco tiempo para charlar como me hubiera gustado. Algunos faltaron por diversos motivos pero muchos de ellos se pasaron por la exposición en días sucesivos.

También conté con el apoyo y la compañía de Guillermo Camacho, amigo y editor en Aurora Boreal®

El 23 de febrero, día de mi 57 cumpleaños, se reunieron un grupo de artistas para celebrar un debate y fue interesantísimo el escuchar cómo diseccionaban mi trabajo.

Foto: Carla Hernández

He aquí algunos de los comentarios: 

Una cosa que aprecio es la flexibilidad que se muestra en las fotos de la exposición. Lorenzo no sigue un patrón sino que fotografía a cada artista de una forma individual. (Joana Granero, directora del London Spanish Film Festival).

Me encanta mi retrato porque me muestra tal y como soy. Es honesto. Como artista, sin honestidad no llegas a ninguna parte. Ha sido una experiencia que siempre recordaré. (Jesús Montero, escritor y director).

Cuando me pidió que acariciara la guitarra como si fuera mi novio me dejó perpleja. Pero lo hice. (Maria Camahort, guitarrista).

Tú haces que la gente actúe para ti, les dejas ser ellos mismos. (Pau Ros, fotógrafo).

La entrevista que le hicieron en cuatro partes me dejó de piedra. Me dije: ¿Quién es este tío? Me sorprendió su humildad. (Enrique Arce, actor).


Me parece muy interesante lo que comenta en el libro de que en Londres el tiempo es pésimo pero la luz magnífica porque cambia constantemente. Me llamó la atención que trabaje con la luz que se encuentra en cada situación... y que lo haga tan rápido. Y en cuanto al gatito, fue un "instant beautifier". (Susana Medina, escritora). 

Tuvimos muy buena conexión desde el primer momento (Alex Amorós, músico y fotógrafo).

Cualquier persona tiene la posibilidad de ser interesante. El buen fotógrafo tiene la habilidad de capturar esta posibilidad de ser único en circunstancias triviales. (Enrique Arce, actor).

Lorenzo es un fotógrafo muy intuitivo y realmente disfruta con lo que hace. Lo que más me fascina es la forma que tiene de acercarse a la persona. (Beatriz Mérida, Oficina Cultural de la Embajada Española en Londres). 

Cuando te pones ante la cámara piensas "Esta persona es un intruso" y sientes la necesidad de protegerte. Pero Lorenzo inspecciona y encuentra una forma de atravesar la barrera. Se produjo una especie de diálogo privado entre nosotros. (Eva Bosch, pintora). 

Cuando llegas a una cierta edad y te das cuenta de lo vieja que eres, la honestidad a veces puede ser brutal. (Lala Isla, escritora y antropóloga). 





Ya con la exposición empaquetada y los libros bien guardados seguimos recibiendo visitas. 


Arte en Movimiento está significando mucho para mí no sólo desde el punto de vista artístico sino también personal. Ahora la idea es moverlo por España y otros países. Nos hemos dado cuenta de que no sólo es un documento fotográfico sino que las personas fotografiadas son un modelo para muchos jóvenes que sueñan con realizar sus proyectos y hacer lo que más les gusta.















Saturday, 14 March 2015

NICK CAVE, MONTSERRAT ROIG Y EL MONIGOTE PERDIDO

Esta es mi primera entrada en meses. Tras mi regreso a España, la inspiración parecía haberse agotado. Mi vida se había acomodado a una nueva rutina: estudiar, dar clases, ir a la montaña de vez en cuando, disfrutar de mi estancia en el apartamento donde Lorenzo, Carla y yo comenzamos nuestra nueva vida. Más que Remembering in London, este blog debería llamarse Buscando la inspiración perdida en Londres. No obstante, algo ocurrió ayer que encendió la vieja llama.

Tras pasar el día entre papeles, decidí hacer una visita al viejo cine Albéniz, una de las joyas que hace que merezca la pena vivir en Málaga; el único lugar en el que puedes realmente disfrutar del cine independiente en versión original. Me llena de alegría el ver que siempre hay cola en la taquilla, aunque he de decir que la mayoría de los presentes tienen más de cuarenta años. Seguro que muchos de ellos venían a este mismo cine a ver Sonrisas y lágrimas cada año, como yo solía hacer con mis tías cuando era una niña.
Los espectadores hacen cola a la entrada del cine Albéniz
No tienes que pensártelo mucho para elegir una película en el Albéniz. Todo es bueno. Me decidí por 20,000 Days On Earth (20.000 días en la tierra), el documental sobre Nick Cave, simplemente porque el horario me venía bien. Lo  que me encontré fue un auténtico festín: el sonido de la voz profunda de Cave recitando los pensamientos garabateados en sus cuadernos a lo largo de los años, la calidad envolvente de su música, compuesta junto a Warren Ellis, la luz melancólica y evocativa de Brighton en otoño… Pero, sobre todo, lo que puso en marcha mi cerebro fue el experimentar el placer de mirar hacia atrás, el encontrarte con tu viejo yo a mitad de la vida, descubriendo que eres básicamente la misma persona, aunque no del todo.



Cuando regresé a Málaga en mayo, mi madre, inspirada por mi experiencia con la reminiscencia, decidió bucear en sus viejas cajas de recuerdos y rescató una colección de viejas fotografías y un trozo de papel que había conservado durante treinta años: un ejercicio de autorreflexión que yo había realizado mientras estudiaba COU, a la edad de 17 años. El papel mostraba un monigote, al que yo había “decorado” con gafas de culo de vaso, una camiseta a rayas y unos zapatos de arlequín, tratando de quitarle importancia a las preguntas y respuestas unidas mediante flechas a las diferentes partes de su cuerpo. “Típico de mí”, pensé cuando lo vi.



Había preguntas del tipo “¿En qué hombro te apoyas?” o “¿Hacia dónde vas?” y antes de empezar a leer pensé que mi vieja visión de la vida me iba a parecer ridícula e incluso embarazosa. No podía estar más equivocada. Fue asombroso el comprobar cómo mi perspectiva no había cambiado un ápice: he ganado y perdido muchos amigos en el camino, pero las personas en las que me apoyo son las exactamente las mismas; todavía veo el futuro como una página en blanco y trato de disfrutar del presente; lo que más temo es  que algún día no sea capaz de reconocer a la gente que quiero. Era simplemente yo en ese trozo de papel

Cuando llegué a casa me encontré dun mensaje de Lorenzo: no te pierdas este fabuloso documental en la web de Televisión Española a la Carta. Seguí el enlace y me encontré con una joya que encajaba perfectamente con mis pensamientos.

Hace treinta años, mientra yo dibujaba monigotes, la escritora y periodista Montserrat Roig entrevistó a una serie de jóvenes para un programa titulado Búscate la vida. Algunos eran anónimos: un torero decidido a continuar en los ruedos a pesar de haber perdido un ojo a causa de una cornada; una jornalera de Marinaleda, el pueblo andaluz donde los trabajadores hicieron la revolución allá por los años 80; la alcaldesa más joven de España, una chica de tan sólo 18 años; un chico decidido a hacerse objetor de conciencia (recordemos que el servicio militar fue obligatorio hasta 1996) y que trabajaba repartiendo cartas en un banco mientras intentaba triunfar como estrella del pop. Los otros nombres me resultaban familiares: Clara Morán, la hija del ministros de asuntos exteriores allá por los ochenta, y la coreógrafa Blanca Li.

En el programa se mostraba a estos jóvenes en la actualidad, mirando las viejas grabaciones y reflexionando sobre lo que eran y lo que son. La mayoría sentían lo mismo que yo cuando se enfrentaban a su yo más joven: en el fondo no habían cambiado; sus perspectivas vitales eran más o menos las mismas. Se podía ver que algunos habían recibido sus golpes en la vida (divorcio, enfermedad, muerte, desempleo…) Nada se mencionaba abiertamente, pero se podía inferir en sus conversaciones o simplemente en sus miradas.

Se podía ver que, a pesar de la crisis, la vida en España ha mejorado increíblemente desde los ochenta: en una de las entrevistas, la chica de Marinaleda dice que la libertad significa poder comer cuando lo necesitas y poder expresar tus opiniones abiertamente. Asumía que no podía tener las cosas bonitas que anunciaban en la televisión, pero el saber que había gente con tanto y gente con tan poco le llenaba de indignación. Ahora tiene un móvil y un coche porque los necesita… o quizás porque ahora es como cualquier otra persona. Todavía vive con el chico con el que se casó el año antes de ser entrevistada por Roig.

La alcaldesa todavía vive en su pueblo. Consiguió hacer realidad su proyecto de abrir un colegio para que los niños y niñas no tuvieran que viajar 70 Km. todos los días, aunque tuvieron que cerrarlo hace dos años porque ya no quedan niños. Todavía trabaja en el ayuntamiento, ahora como concejala. Hace treinta años los hombres le decían que se fuera a su casa a limpiar y no se metiera en asuntos que no corresponden a las mujeres. ¡Cuánto ha cambiado la vida desde entonces!

La única que ha cambiado mucho es Clara Morán. Resulta claro que la vida no es lo que ella esperaba. De ningún modo se reconocía en la mujercita llena de seguridad que aparecía en la pantalla. Sin embardo, ha descubierto el valor de la ingenuidad y ahora no tiene miedo a mostrarse tal y como es.

En cuanto a Blanca Li, es la que realmente ha triunfado. También era la que tenía un objetivo más claro, la que no tenía miedo de fracasar porque fallar una vez no quiere decir que vayas a hacerlo siempre (una buena lección, teniendo en cuenta que procede de una niña de 17 años). Ahora es una célebre coreógrafa que vive la vida a la que siempre aspiró, profesional y personalmente.

El programa termina con una promesa de Montserrat Roig: entrevistar a todos estos chicos y chicas dentro de diez años para ver en qué medida habían conseguido sus objetivos. No pudo ser. Seis años más tarde, a la edad de 45 años, el cáncer se llevó su vida. Treinta años después, sus amigos han terminado este proyecto como homenaje a ella y como regalo para todos nosotros.

Yo hace treinta años, mientras estudiaba árabe en Marruecos
Yo ahora
Aquí podéis ver el documental La vida encontrada
Y en filmin podéis encontrar 20.000 días en la tierra

NICK CAVE, MONTSERRAT ROIG AND THE LOST PUPPET

This is my first entry in months. After coming back to Spain, inspiration seemed to have run out. My life seemed to have settled into a new routine: teaching, studying, going to the mountains from time to time, spending and enjoying time on my own in the apartment where Lorenzo, Carla and I started our life together.  It seemed that rather than “Remembering in London”, this blog should have been called Finding the lost inspiration in London. However, something happened yesterday that lit the old flame.

After having spent the day among papers, I decided to pay a visit to the old Albeniz cinema, one of the jewels that make it worth living in Malaga, the only place where you can enjoy truly independent cinema in the original version. It puts a smile on my face to see that there’s always a queue at the box office, although I must say that most of the aficionados are over forty. I bet many of them used to go to this very same cinema to see The Sound of Music every year, as I used to do with my aunties when I was a kid.

Spectators queuing outside the Albeniz Cinema
You don’t have to think much to choose a film at the Albeniz. Everything is good. I decided to see 20,000 Days On Earth, the documentary about Nick Cave, just because it fitted into my timetable. What I found was a feast to the senses: the sound of Nick’s deep voice as he recited the thoughts he had jotted down in his notebooks throughout the years, the involving nature of his music, composed together with Warren Ellis, the gloomy and evocative light of Brighton in the autumn… But most of all, what really put my brain into motion was to experience the enjoyable pleasure of looking back at your old self halfway through your life, discovering that you are pretty much the same, but not quite.



When I returned to Malaga in May, my mum, inspired by my reminiscence experience, decided to dive into the old boxes of memories we have at home and fished a collection of old photographs and a piece of paper she had kept for thirty years: a self-reflection exercise I had done during my last year of high school, when I was 17. It contained the drawing of a puppet, which I had duly decorated in a self-deprecating manner with thick glasses, a striped t-shirt and funny shoes, as a way of resting importance to the questions and answers that were linked by arrows  to the different parts of its body – so typical of me, I thought, when I saw it.



There were questions of the type “On which shoulders do you lean on?” or “How do you face the future?” and before starting to read I thought I would laugh at how ridiculous my outlook on life would seem to me today, thirty years later. I couldn’t be more wrong. It was truly amazing to see that my view hadn’t changed an iota: I have lost and gained lots of friends on the way, but the people I lean on are exactly the same; I still see the future as a blank page and I try to enjoy the present; what I fear the most is not being able to recognize the people I love one day. It was me, just me, on that piece of paper.

When I arrived home, I found a text from Lorenzo: watch this wonderful documentary on the Spanish Television website. I followed the link he sent me and I found that the content of this other jewel was absolutely relevant.

Thirty years ago, in the same year I was drawing the puppet, the writer Montserrat Roig interviewed a series of young people for a documentary called Búscate la vida (an expression that means something like “Try to make a living”). Some of them were anonymous: a young matador who was keen on continuing his career on the bullring despite having lost an eye; a farmer from Marinaleda, a small village in Andalucia where the workers’ revolution was made in the 1980s; the youngest mayor in Spain, a girl of just 18; or a boy who decided to become a conscience objector (doing the military service was compulsive until 1996) and who worked delivering letters in a bank and tried to make a career as a pop singer. The other two names were familiar: Clara Moran, the daughter of the Socialist Foreign Secretary in the 1980s, and the choreographer Blanca Li.


In the programme you could see these young people nowadays, looking at the old recordings and reflecting on what they were and what they are. Most of them shared my feelings when they confronted their younger selves: deep down they had not changed; their outlook on life was more or less the same. You could see that some of them had received their blows in life (divorce, illness, death, unemployment…) Nothing was openly said about this, but you could infer it from their conversation or just from their look.

You could see that despite the economic crisis, life in Spain has incredibly improved since the 1980s: in one of the interviews, the girl from Marinaleda said that freedom was to be able to eat whenever you need to and to be able to express your thoughts openly. She assumed that she could not have the nice things she could see on TV but claimed that knowing that there were people with so little and people with so much made her angry. Nowadays she has a mobile phone and a car because she needs them… or perhaps because she has become like anyone else. She still lives with the boy she married one year before she was interviewed by Roig.

The mayor still lives in her little village. She managed to open a school so that the children did not have to leave their homes to study 70 km away, although they had to close it a couple of years ago because there are almost no children left. She still works at the Town Hall, now as a councillor. Thirty years ago the men in the village used to tell her to go home and do the housework instead of meddling with businesses that did not correspond to women. How has life changed since then!

The only one who has change a great deal is Clara Morán; life is obviously not what she expected. She would not recognize herself in the self-assured little woman on the screen. But she has discovered the value of naïvety and now she is not afraid of showing herself as she really is.

As for Blanca Li, she’s the most successful one. She was also the most focused, the one who was not afraid of failing because failing once does not mean that you will fail forever (what a lesson to be received from an 17 year old). Now she’s a renowned choreographer, living the life she always wanted, professionally and personally.

At the end of the programme we can see how Montserrat Roig promised that she would interview all these boys and girls ten years on in order to see if they had achieved their goals in life. This was not possible. Six years later, at the age of 45, cancer took her life. Thirty years on, her friends have finished her project as homage to her and as a gift to all of us.


Me 30 years ago, while studying Arabic in Morocco
Me now









Sunday, 3 August 2014

THE UNDERWATER ARCHEOLOGIST


A few years ago I read a novel called ‘What I Was’ with my third year students. It was a book for teenagers, a coming-of-age tale set in East Anglia, the story of the friendship between two very different boys in the 1960s. I don’t remember much of the plot, but there is a passage that got engraved in my mind: the two boys are rowing on a boat on a clear Easter day; the sea is calm and they can see the remains of a lost medieval city underwater.


The sea is actually one of the protagonists of the book and the story reaches its climax during a storm that floods the cabin where one of the boys lives. Thirty years on, it will also have claimed the hateful school where the other protagonist felt like a prisoner. The beach where most of the action takes place is a place full of mystery – cold and menacing. 

When I read this book I wondered whether this place was real or just a product of the imagination of Meg Rosoff, its author. I recently discovered the truth.


A few weeks ago Pam invited us to spend a few days in Suffolk. She and her family have a cottage in a very small village, Walpole, and she suggested that we could stay there and use their bicycles to move around the region and discover its treasures. 

Tug of war in Walberswick
There are plenty of cycling routes, and on the first day we embarked on a seven-hour trip that took us as far as Framlingham, where we finally stopped to have a beer in the pub near the station.


On this first excursion we went through yellow fields and green woods, passing almost inhabited places with a church in the middle of nowhere. On the second day, however, we decided to set towards the coast. We had been told about a mysterious town called Dunwich and immediately I knew it was the place the book talked about.


Dunwich was the capital of the Anglo Saxon kingdom of East Angles. It was an international harbour and in the 13th century it had eight churches and about five thousand inhabitants. Between 1286 and 1362 a series of storm surges (or meteotsunamis) destroyed most of the harbour and the town. In the 19th century there were less than 250 inhabitants and only one of the churches remained, the one that was claimed by the sea between 1908 and 1919. Nowadays, Dunwich is just a couple of streets and it has only 50 inhabitants. However, it’s still a town, not a village. 


There’s a museum and a cafe on the beach, where you can have the typical fish and chips or drink a cup of coffee before going for a walk along the cliff (you are warned to be careful, because its edge may collapse into the beach when you expect it the least). 


The cliff eventually leads to a wood that hides the remains of the Greyfriars priory. What really impressed me the most was the lack of people around, even in the middle of July, the absolute silence only broken by the cries of the birds coming from the nearby marshes.


Going back to the beach, the weather suddenly changed and it started to rain. It felt so different from the scorching sandy extensions full of holidaymakers of Southern Spain (I must confess I have always hated going to the beach in Malaga: too much sand, too much heat, too much noise). Here, in this desolate landscape I felt I could walk forever. The rain stopped eventually and we started moving towards the marshes, following the opposite direction. First we came across a family who were brave enough to adventure themselves into the sea (we had brought our swimsuits but we found the sea too menacing and turbulent).


Later on we came across a man standing next to a fishing rod. His daughter, a twelve-year old girl was lying comfortably inside a bivouac, drawing pictures on a notebook. They told us that the weather was nice enough to spend the night on the beach. Maybe they expected to listen to the bells of the churches of the ghost town, as the legend says.


We continued our silent walk. The prevailing colour was brown: you could see it in the sea and in the stones, different shades that combined with the traditional white, black and grey. The only noise was the one from the sea and the crushing sound of the pebbles under our shoes.


Walking along this barren place, I thought it could very well become a metaphor of the dementia process. This condition is progressive and it erodes not only your memory but your capacity to communicate and do everyday activities. However, the person with dementia is still a person. All the features that define them are still there, but in a submerged form.
Last Tuesday we had dinner with Anita Berlin in a really nice place near the Thames. Anita told us about all the different projects she has in mind to give shape to the history of her family. Anita’s mother, Carmen, who lives with Alzheimer’s, has an amazing history. To give you just an example, she was one of the persons who were saved by Angel Sanz-Briz, the Angel of Budapest, during the II World War. Anita has the original documents. She also has a little diary she found recently, which contains a list of books, some of them crossed out. Carmen, who spoke four languages and had a passion for words, can no longer speak. This little notebook will allow Anita to discover more about her mother through the books she read or wanted to read.



Marine archaeologists have managed to reconstruct the map of the old city of Dunwich. Anita is also an archaeologist of submerged treasures.

Photography: Lorenzo Hernandez                                          www.photolorenzohernandez.com